The Readymade Century

2017, Oct 12 — 13

International Symposium

Does the term readymade taken by Marcel Duchamp around 1916 for his ‘already made’ works of art need updating in the light of the global and digital transformations of the 21st century? Interpretations of the readymade in art history often concentrate on Duchamp himself. However, during the “readymade century” artistic practices working with the ‘already made’ have expanded enormously, forming a heterogeneous field of (post-)appropriation strategies.

To project

Video – 1:36:38

Readymade Market

Oct 13, 2017 Lectures and discussion with Sven Lütticken, Simon Denny, Sebastian Egenhofer and Isabelle Graw

Video – 1:38:39

Readymade Transcultural

Oct 13, 2017 Talks and discussion with Benjamin Meyer-Krahmer, Kader Attia, Margareta von Oswald and Annette Bhagwati

Gallery – 9 pictures

The Readymade Century

International Symposium Oct 12 & 13, 2017