Your search returned the following 28 results:
Past Disquiet
Exhibition
Past Disquiet
Art History
Palestine
Visual Art (...)
Art History
A conversation about cities, politics, in play and in earnest
The Most Dangerous Game
Art History
City
Discourse
Politics (...)
Art History
The Museum in Exile
Conference
A History of Limits
Art History
Conference
Discourse
Visual Art (...)
Art History
Frameworks and Narrative Architectures
Conference
A History of Limits
, Nürnberg) analyzes the politics of form and mimicry in modern art history; Mark Wigley (Professor of (...)
Art History
Inversions / When narratives become Institutions
A History of Limits
How can one intervene in canon narratives? How can one change art history and art institutions by (...)
Art History (...)
How can one intervene in canon narratives? How can one change art history and
Limits: Hallucinating the Canon
Conference
A History of Limits
Art History
Conference
Discourse
Visual Art (...)
Art History
“Misfits”: Pages from a loose-leaf modernity
narratives of art history—the bounds of national narratives as much as those that organize global (...)
Art History
"Misfits": Pages from a loose-leaf modernity
“Misfits”: Pages from a loose-leaf modernity
Exhibition Globalization Art History Modernism (...)
Art History
International Biennial Association
: Biennial Writing – Re-assessing Art History • Bruce Altshuler, Director, Museum Studies Program, New York (...)
Art History
Juan Dekada, 1983-1993 / Rox Lee: The First 10 Years
“Misfits”: Pages from a loose-leaf modernity
Archive
Art History
Film
Globalization
Modernism (...)
Art History
Lani Maestro: The Anonymous I
Artist Talk
“Misfits”: Pages from a loose-leaf modernity
Archive
Art History
Globalization
Modernism
Talk (...)
Art History
Eileen Legaspi-Ramirez, Lani Maestro: On “thickening” national art history
Conversation
“Misfits”: Pages from a loose-leaf modernity
Archive
Art History
Globalization
Modernism
Talk (...)
Eileen Legaspi-Ramirez, Lani Maestro: On “thickening” national art history (...)
Art History
Selected Works by Araya Rasdjarmrearnsook
Lecture
“Misfits”: Pages from a loose-leaf modernity
Archive
Art History
Globalization
Lecture
Modernism (...)
Art History
Yin Ker: Neither Nor: An Interpretation of Bagyi Aung Soe’s Art, Practice & Location
Lecture
“Misfits”: Pages from a loose-leaf modernity
painting, art history and criticism, literature, film and faith likewise defies facile categorization (...)
Art History (...)
thinking. His practice traversing painting, art history and criticism, literature, film and faith likewise
Pilipinas: What do you think of the Philippines, Mr. Janetzko? / Selections from the Mowelfund film community
“Misfits”: Pages from a loose-leaf modernity
Archive
Art History
Film
Globalization
Modernism (...)
Art History
The Unforeseen
Conference
The Unforeseen
Kleesattel will ask what voices are heard in art history following the equally programmatic and provocative (...)
Art History
The Readymade Century
Art History (...)
century? Interpretations of the readymade in art history often concentrate on Duchamp himself. However
The Most Dangerous Game
Art History
The Readymade Century
The Readymade Century
transformations of the 21st century? Interpretations of the readymade in art history often concentrate on Duchamp (...)
Art History (...)
? Interpretations of the readymade in art history often concentrate on Duchamp himself. However, during the
The Most Dangerous Game
The Most Dangerous Game
. articulated its critique.Exhibition Avant-garde Present Criticism Art History (...)
Art History