Colonial Modern: Aesthetics of the Past, Rebellions for the Future

Colonial Modern: Aesthetics of the Past Rebellions for the Future

Colonial Modern: Aesthetics of the Past Rebellions for the Future

Editors: Tom Avermaete, Serhat Karakayali, Marion von Osten
English
320 pages, numerous color and black and white illustrations
Black Dog Publishing, London 2010
ISBN: 978-1907317118
Price: € 34,90

Available at bookstores, the shop at the Haus der Kulturen der Welt, or at Black Dog Publishing

In the post-war aesthetic regime of modernism, architecture and urban planning acquired a highly symbolic function. They stood not only for the aesthetic project of modernism, but also for social modernity and the shift to a new society, whose viability and planning they literally represented. This symbolic function of settlement architecture, however, was embedded in areas of conflict. The demographic strategies which had been tested within the colonial context were integrated into the architecture of the 1950s and 1960s. On the other hand, the architects also tried to incorporate the experience of decolonization into their planning. They did this by synthesizing “pre-modern” apostrophized lifestyles of people in the North African colonies into the project of modernity, thus creating a new and different modernity.

The focus of this volume is the relationship between the aesthetic regime of modernity on the one hand, and the project of modernization on the other. The reciprocal relationship between both becomes evident, particularly within the explosive context of colonialism. The exhibition upon which this volume is based, “In the Desert of Modernity: Colonial Planning and After,” traces the entangled histories of European modern architecture and urban planning in colonial North Africa, showing the ambivalences between colonial rule and the utopias of modernity. This publication provides not only the most current research on the subject, but given the thesis of the “Negotiated Modernity,” it has initiated a new, interdisciplinary (and international) debate on the understanding of modernity (and, therefore, postmodernism as well) outside the discourse on architecture.

With contributions by
Mogniss H. Abdallah/Agence IM’media, Nezar AlSayyad, Kahina Amal Djiar, Kader Attia, Tom Avermaete, Madeleine Bernstorff, Mark Crinson, Hassan Darsi, Monique Eleb, Serhat Karakayali, Christian Kravagna, Brigitta Kuster, Labor k3000, André Loeckx, Kobena Mercer, Valentin Mudimbe, Françoise Navez-Bouchanine, Alona Nitzan-Shiftan, Marion von Osten, Bernd M. Scherer, Horia Serhane, Sven-Olov Wallenstein and Daniel Weiss