Stefan Wellgraf
DFG position on the affects and aesthetics of exclusion since 2015. His research focuses include DFG position on the affects and aesthetics of exclusion since 2015. His research focuses include
Talks
comes to the ethics and aesthetics of copying, normative contradictions and practical conflicts, money comes to the ethics and aesthetics of copying, normative contradictions and practical conflicts, money
Contributors: Dušan Barok
participatory events. Dušan convened The Extensions of Many, a series of media aesthetics seminars prepared in participatory events. Dušan convened The Extensions of Many, a series of media aesthetics seminars prepared in
Contributors: Nitasha Dhillon
with Amin Husain, she founded MTL, a collaboration that joins research, aesthetics and action in its with Amin Husain, she founded MTL, a collaboration that joins research, aesthetics and action in its
Contributors: Thomas Keenan
Mengele’s Skull: The Advent of a Forensic Aesthetics (Sternberg Press, 2012). He is author of Fables of Mengele’s Skull: The Advent of a Forensic Aesthetics (Sternberg Press, 2012). He is author of Fables of
Contributors: Agnes Matthias
Agnes Matthias studied aesthetics, art history, and empirical cultural studies in Karlsruhe and Agnes Matthias studied aesthetics, art history, and empirical cultural studies in Karlsruhe and
Contributors: Andreea S. Micu
aesthetics, migration and contemporary anti-austerity activism in the south of Europe in the aftermath of the aesthetics, migration and contemporary anti-austerity activism in the south of Europe in the aftermath of the
Contributors: Christoph Menke
political philosophy, philosophy of law, aesthetics, and the theory of subjectivity. After completing his political philosophy, philosophy of law, aesthetics, and the theory of subjectivity. After completing his
Contributors: Kerstin Stakemeier
, with Marina Vishmidt) and a monograph about anti-modern aesthetics (2017). , with Marina Vishmidt) and a monograph about anti-modern aesthetics (2017).
Contributors: John Tresch
and Technology after Napoleon (2012), and co-editor of Aesthetics of Universal Knowledge (2016 and Technology after Napoleon (2012), and co-editor of Aesthetics of Universal Knowledge (2016
Contributors: Luciana Parisi
Contagious Architecture: Computation, Aesthetics, and Space (2013). She is currently researching the history Contagious Architecture: Computation, Aesthetics, and Space (2013). She is currently researching the history
Contributors: Pallavi Paul
implication of trace. She is currently a PhD candidate at the School of Arts and Aesthetics, Jawaharlal Nehru implication of trace. She is currently a PhD candidate at the School of Arts and Aesthetics, Jawaharlal Nehru
Technosphere Contributor: Birgit Schneider
visualization in between science, aesthetics and politics. visualization in between science, aesthetics and politics.
Technosphere Contributor: Erich Hörl
Erich Hörl is full professor of Media Culture at the Institute of Culture and Aesthetics of Digital Erich Hörl is full professor of Media Culture at the Institute of Culture and Aesthetics of Digital
Andrew Yang
2016 (Sensing the insensible: Aesthetics in the Anthropocene Seminar) Technosphere × Knowledge: 2016 (Sensing the insensible: Aesthetics in the Anthropocene Seminar) Technosphere × Knowledge:
Erich Hörl
Erich Hörl is full professor of Media Culture at the Institute of Culture and Aesthetics of Digital Erich Hörl is full professor of Media Culture at the Institute of Culture and Aesthetics of Digital
Jeremy Christopher Bolen
Chicago. Instructor, Campus 2016 (Sensing the insensible: Aesthetics in the Anthropocene Seminar Chicago. Instructor, Campus 2016 (Sensing the insensible: Aesthetics in the Anthropocene Seminar
Contributors: Jim Clarke
Fiction, as well as Journalism. He is the author of The Aesthetics of Anthony Burgess (2017) and Science Fiction, as well as Journalism. He is the author of The Aesthetics of Anthony Burgess (2017) and Science
Contributors: Sandeep Bhagwati
, trans-traditional aesthetics, gestural as well as sonic theatre, and situative, non-visual score , trans-traditional aesthetics, gestural as well as sonic theatre, and situative, non-visual score
Contributors: Marion von Osten
Württembergischer Kunstverein Stuttgart and Tensta Konsthall Stockholm, Aesthetics of Decolonization (ith, ZHDK Württembergischer Kunstverein Stuttgart and Tensta Konsthall Stockholm, Aesthetics of Decolonization (ith, ZHDK