Tang Chang, Untitled, 1982 (Detail), Courtesy Thip Sae-Tang
Rifles forming the shape of the Democracy Monument, Bangkok. | Tang Chang | Untitled, 1980. Blue marker on glossy paper | Courtesy of Thip Sae-Tang
Rox Lee: Blue Man in Corner, © Rox Lee, courtesy Rox Lee and Yuji de Torres
Bagyi Aung Soe, Untitled, 1980s. Felt-tip pen on paper , Courtesy of Gajah Gallery

2017, Apr 21, Fri — 2017, Jul 03, Mon

“Misfits”: Pages from a loose-leaf modernity

Tang Chang, Rox Lee and Bagyi Aung Soe

Exhibition, public program

Apr 21–Jul 3, 2017

The first 2017 exhibition as part of Kanon-Fragen in newly opened Exhibition Hall 2 will be devoted to three individuals of late modernism or proto-contemporary art from Southeast Asia: Tang Chang, Rox Lee and Bagyi Aung Soe. The oeuvres of these three artists are currently at the threshold of art historical canonization.

Pages from a loose-leaf modernity: How can outsider figures in modern art question the framing narratives of art history—the bounds of national narratives as much as those that organize global contemporary art? How is visibility generated and art validated? The three artists Tang Chang, Rox Lee, and Bagyi Aung Soe defy clear classification, developing their work outside of art’s institutions. Their consciously marginal positions suggest alternative criteria for canonization: refusing patterns of identification, developing a critical transnational consciousness, and understanding modernity and the present as a precarious, contested state. With concrete poetry and abstract expressionism, experiments in performance, comics, animated film, and above all, drawing, “Misfits” showcases work from personal archives that haven’t previously been accessible to a wider public.

Curated by David Teh in collaboration with Yin Ker, Merv Espina and Mary Pansanga
Kanon-Fragen under the artistic direction of Anselm Franke

Part of Kanon-Fragen