Audiovisual installation

End Credits

Fri, Oct 28–Fri, Dec 30, 2022
Fri, Oct 28, 2022
Auditorium
12 noon–8 pm
Free admission
Sat, Oct 29, 2022
Auditorium
12 noon–4 pm
Free admission
Sun, Oct 30, 2022
Auditorium
12 noon–8 pm
Free admission
Mon, Oct 31, 2022
Auditorium
12 noon–8 pm
Free admission
Thu, Nov 17, 2022
Auditorium
4–9 pm
Free admission
Fri, Nov 18, 2022
Auditorium
4–9 pm
Free admission
Sat, Nov 19, 2022
Auditorium
12 noon–9 pm
Free admission
Sun, Nov 20, 2022
Auditorium
12 noon–7 pm
Free admission
Mon, Nov 21, 2022
Auditorium
4–9 pm
Free admission
Wed, Dec 21, 2022
Auditorium
4–9 pm
Free admission
Thu, Dec 22, 2022
Auditorium
4–9 pm
Free admission
Fri, Dec 23, 2022
Auditorium
4–9 pm
Free admission
Wed, Dec 28, 2022
Auditorium
4–9 pm
Free admission
Thu, Dec 29, 2022
Auditorium
4–9 pm
Free admission
Fri, Dec 30, 2022
Auditorium
4–9 pm
Free admission

Fri–Mon, Oct 28–31, 2022
Thu–Mon, Nov 17–21, 2022
Wed–Fri, Dec 21–30, 2022

Auditorium

Free admission

Updates and program information:
HKW Newsletter

Installation view of Open Plan: Steve McQueen (Whitney Museum of American Art, New York, April 29–May 14, 2016). , Photograph by Ron Amstutz

Eslanda and Paul Robeson’s advocacy of anti-imperialism and affiliation with communism resulted in them being blacklisted by the United States government. On a large-scale installation screen, filmmaker Steve McQueen presents the completed version of End Credits in a continuous loop. The audiovisual installation exposes thousands of digitized FBI files as they scroll up slowly on the large-scale screen over 12 hours and 54 minutes: file numbers, dates, registration codes, some heavily redacted or blacked out, as well as 67 hours 4 minutes and 43 seconds of asynchronous voice recordings that render the FBI informants’ reports audible.