Euridice Zaituna Kala’s artistic work emerges from an in-depth deconstruction, manipulation, and reconstruction of cultural and historical metamorphoses. Through a series of artistic research and creations, Kala has developed a strong approach to deal with long histories of erasure and silencing experienced by communities from Mozambique, the African continent, and beyond. In Ritual as a March as Protest, a performance together with artist, dancer, and choreographer Bernardo ‘Pak Ndjamena’ Guiamba, Kala explores the role and effect of movement and performativity in the so-called madgermanes (Mozambican workers brought to the German Democratic Republic) collective body that protests every Wednesday on the streets of Maputo.