Global Fascisms

The exhibition and research project Global Fascisms critically examines the aesthetic, social, and political dynamics of fascism, questioning its appeal and ideological mechanisms. A key aim of the project is to understand fascism not only as a historical phenomenon, but also as an ongoing global challenge that transcends its historically confined definition, manifesting in diverse political, cultural, and social contexts today. Focusing on the historical and contemporary contexts in which far-right ideologies thrive, the project interrogates contested notions such as  ‘identity’, ‘community’, and ‘belonging’.

The exhibition brings together works by around fifty international artists who respond to the rise of fascist ideologies through a variety of media, including painting, film, performance, discourse, publications, and digital formats. Historical artworks complement the group exhibition, creating surprising connections between past and present. The exhibition offers insights into the ideological seduction and aesthetics of fascist ideologies, while analysing the social and technological developments underlying these movements.

From the role of social media in creating echo chambers that amplify radicalization, to the invocation of nostalgic myths of ‘golden ages’ as tools of authoritarian rhetoric, the exhibition explores the mechanisms that sustain these ideologies. It also considers the interplay of contemporary issues such as economic inequality, migration, and the politicization of religion in fuelling nationalist sentiments.

By integrating art with rigorous interdisciplinary research, the project promotes new ways of understanding and confronting these pressing issues at a critical moment when electorates worldwide are shifting dramatically towards right-wing, far-right, and authoritarian movements. It positions art not only as a medium for reflection, but as an active force in challenging authoritarian aesthetics and ideologies.