Press photos Musafiri: Of Travellers and Guests
Please note that all images available for download are protected by copyright and may be used free of charge exclusively by press coverage focusing on the Haus der Kulturen der Welt and/or its programmes. Photographers and copyright holders must be credited. If you have any problems downloading the files or would like to request further images please contact presse@hkw.de. To request further images, please contact our press office.
Please send a copy of all articles to:
Haus der Kulturen der Welt – Press Office
Jan Trautmann
John-Foster-Dulles-Allee 10
10557 Berlin
Germany
presse@hkw.de
+49 (0) 30 397 87 192 / 192
Photos
Jimmy Ong, Seamstress Raffles / Shibaried (Indigo Juko) (2018), cotton cloth and dacron with purple Shibari-ropes, 80 × 50 × 30 cm. Courtesy: Artist Collection. Installation view of the exhibition Musafiri: of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW
Anne Samat, Wide Awake And Unafraid #3 (2024), rattan sticks, kitchen and garden utensils, beads, ceramic, metal and plastic ornaments, handwoven tapestry, 670x365 cm. Courtesy of the artist. Installation view of the exhibition Musafiri: of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW
Installation view of the exhibition Musafiri: Of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW
Visual: Yukiko
Diane Severin Nguyen, IF REVOLUTION IS A SICKNESS, (2021), video still. Courtesy of Diane Severin Nguyen
Aslı Çavuşoğlu, the book the story of Agathange, a vision from St Gregory the Enlightened (2015). Courtesy of collection LAURASAR
Musquiqui Chihying, The Link (2024), video still. Courtesy of Musquiqui Chihying
Nádia Taquary, EG03 (2021/2025). Photo: Marcio Lima. Courtesy Nádia Taquary.
Musquiqui Chihying, The Link (2024), video still. Courtesy of Musquiqui Chihying.
Diane Severin Nguyen, IF REVOLUTION IS A SICKNESS, (2021), video still. Courtesy Diane Severin Nguyen.
Musquiqui Chihying, The Link (2024), video still. Courtesy of Musquiqui Chihying.
Ryan Villamael. Installation view of Locus Amoenus (2018), Ateneo Art Gallery
Ocean Vuong, Phuong and Mom (1) (2009), archival pigment print on Canson Platine fiber paper, ~21" x 31.5". Courtesy of Ocean Vuong
Installation view of the exhibition Musafiri: Of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW
Installation view of the exhibition Musafiri: Of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW
Installation view of the exhibition Musafiri: Of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW
Hit Man Gurung, Sheelasha Rajbhandari, A Map of Faded Dreams (2024-25), cyanotype prints on archival paper, screen prints on cotton, video, audio, wallpaper, batiks, dimensions variable. Courtesy of Hit Man Gurung’s family photo archive, Mekh Limbu’s family photo archive, Subas Tamang, Anju Nagarkoti. Installation view of the exhibition Musafiri: of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW
Installation view of the exhibition Musafiri: Of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW
Sonia E. Barrett, Paths to Joy. Roscoe Parish Chapeltown, Leeds (2017), radiogram, carpet protectors, 200 × 120 × 60 cm. Courtesy of the artist. Installation view of the exhibition Musafiri: Of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW
Installation view of the exhibition Musafiri: Of Travellers and Guests, Haus der Kulturen der Welt (HKW), 2025. Photo: Hanna Wiedemann/HKW