presents the results of international encounters. Using body language and choreography, dancers and
Dance
IN TRANSIT 05
Life and choreography in staccato in the megalopolis of Tokyo. The eight members of the Leni-Basso (...)
Leni-Basso Dance Company (Japan), Choreography: Akiko Kitamura (...)
Life and choreography in staccato in the megalopolis of Tokyo. The eight
Choreography, Research Conversation
Life Forms
Choreography
Life
Present
Research
Technology (...)
Choreography
Potsdamer Platz. The Congress opens with a choreography by William Forsythe and the project Black Market (...)
from the fields of dance, choreography, education, criticism, science, production and cultural policy
choreography by Xavier Le Roy, Scarlet Yu, and a team of performers is based on their previous work Temporary
Choreography, Research Conversation
Life Forms
Choreography
Life
Present
Research
Technology (...)
Choreography
Screening
Rencontres Internationales Paris/Berlin/Madrid 2010
hesitant ballet, a strange choreography. The film intitled “Despair “ (Otchajanie), describes the
Choreography, Research Conversation
Life Forms
Choreography
Life
Present
Research
Technology (...)
Choreography
Dance
Performing Arts from Korea
influence of her traditional training on the one hand, and that of Western choreography with a healthy dose
Music Theatre
MaerzMusik - Festival of Contemporary Music
, choreography | Ina Boesch, dramaturgy | Regina Lorenz, costumes | Martin Müller, stage/lighting design | David
Dance
IN TRANSIT 06
Choreography: Lia Rodrigues, 70 min, 9 dancers (...)
Choreography: Lia Rodrigues, 70 min, 9 dancers
Dance
IN TRANSIT 06
radically new work. The resulting choreography still marks a radical turning point in Brazilian dance: a
Choreography, Research Conversation
Life Forms
Choreography
Life
Present
Research
Technology (...)
Choreography
Dance
IN TRANSIT 06
Choreography: Alejandro Ahmed, 9 dancers (...)
Choreography: Alejandro Ahmed, 9 dancers
Screening
Rencontres Internationales Paris/Berlin/Madrid 2014
choreography. Niklas Goldbach follows a car trip, in the national park of Evergaldes in the United States. The
set amid the choreography of Xavier Le Roy and Scarlet Yu. Discussion, performance, image, and sound
Screening
Rencontres Internationales Paris/Berlin/Madrid 2010
improvises a rhythmic choreography in the business district of Greensboro, North Carolina. Wojciech GILEWICZ
Why Are We Here Now?
second capitalizes on body choreography and a time-based narrative. Akram Zaatari reflects on the
Concert
Worldtronics 2007
Vorsänger calls out, and rumba-meets-trash guitars are supplemented by inspired choreography.
Kasai
Conference: Workshops
bauhaus imaginista
. By combing a Feldenkrais lesson with a choreography of textile elements, the workshop will guide the