Josefina Báez’s trilogy—Dominicanish, Levente no.Yolayorkdominican York, and Comrade, Bliss ain’t playing—makes its last appearance as a doula-ing act of beginnings and ends. As Báez's farewell celebration to her main text trilogy, this is a performance highlighting voice and visuals from the artist’s journey in the form of repetitions, cacophonies, and silences, braiding the formats together. The end of this trilogy marks both an opening for new texts as well as the following performance, Vital Presence.