José Alejandro Restrepo is considered one of the central figures of video art in Colombia, inspiring new generations of Latin American artists with his work. His artistic practice is based on the exploration of historical, social, and political themes, especially the effects of colonialism on Latin America, questioning both the colonial past and ongoing post-colonial structures. Early works such as TransHistorias (1991) deconstruct the historical narratives of Colombia, while Musa paradisiaca (1996) examines the history of the United Fruit Company and the impact of its activities on the country. In his work, Restrepo explores religious symbols and rituals, often using historical documents, religious iconography, and ethnographic materials. Variaciones sobre El Purgatorio (2011) is a series that refers to the religious and spiritual concepts of purgatory. Based on the belief in Catholic doctrine, Restrepo sees purgatory as a place and a metaphor for social and political purification processes in Colombia. The fifth part of this series offers an immersive experience that establishes connections between faith, culture, and politics, and raises critical questions about history, religion, and society.

Work in the exhibition: Variación sobre El Purgatorio No. 5 (2011), 1-channel-video, 30’. Courtesy of the artist